So many
times have I just had
my life made worthwhile by the sweat & blood I found within the pages
of some delightful zine. Publishing is a truly awesome thing which must
persist in itís free-est forms in order to maintain diversity in the media.
Alternative, dare I say subversive,to the pablum dished cold daily
in the mainstream chronicles.
I'm reminded
of Johann Gutenberg*, the creator of the first movable-type printing press,
who is reputed to have said to paraphrase...
"Whomever
Controls the Press Owns History".
We who
have access to the media
should
make use of that liberty while we still can. While we can still make history.
My own nutty momma used to tell me, "Karrin,where thereís a will thereís
a way; persist & prevail." Right on, mom!
Sanity, or
lack thereof, was easily
the most accessible topic I could tackle, owing in part to the ease with
which I could enthuse people into talking about their own lives. Then there's
the fact that some of the craziest motherfuckers I have ever met are writers
( just try to edit 'em!). Every MeatBot on the planet has some crazy story
to vent, from tales of road trips gone awry to bona fide mental health
issues, with family, friends, themselves,
OR
YOU!
Props must
be given at this point to the many fine folks who've inspired me to this
point. Since I've relocated to SF, I've been encouraged to Troy onward
in the fulfillment of this most Nobelest of causes.
_
Closer to
home & to my roots
are those publisher's who've seen fit to print me at some point or another.
Al fLIPSIDE, Angry Thoreauean's Rev. Randall Tinear, Raphael
F(ucken) J(erk) Alvarado & S.A. Griffin of Sic: Vice Verse, all
them sprung artists & poets east of La Brea (-esp.the boys), Coagula's
Mat *God* Gleason and both Darby
Romeo & (formerly) co-editor Kerin Morataya of (soon to be defunct)
Ben Is Dead who, sometimes
in spite of themselves, provided me with some unforgettable lessons
in scrupulous zine operation. Thank you for publishing. Thanks to
Jim Evans @ TAZ for giving me my first freelance writing gig that actually
*PAID* - the "Crashsite" project, & also to
Greg Shaw @ BOMP!
To AL, because
he has truly been a role model. I give him the ultimate props, especially
for his perseverance despite the fact that I know not a year passes that
he doesn't want to call it quits. And he might've, were it not for the
fact that his columnists, who's very lives are validated by each consecutive
issue - if by nothing else, will not let him off the hook without a
lot of crying & moaning he doesn't want to deal with. But I also
credit
Al for never involving his personal politics into the zine.
;~)
How many publishers, esp. indie publishers, can you say that about ?
To Kerin, because
she always, always, encouraged me to keep writing, &
she was such a good friend when she had it together. (You still owe me
twenty bucks, girlfriend !)
And, of course,
to
Darby, because if it
werenít for her suggesting that Ben Is Dead would do a "Crazy"
theme issue (she said to me, "We're going to do a "crazy" issue & I
immediately thought of you!") & getting my juices flowing I wouldn't
have some of the pieces you are gonna read here (hopefully!). (You still
owe me sixty bucks, lady !)
For reasons I
do not know, probably wouldn't understand, & ultimately don't care
about, she changed her mind & decided to make "Celebrity" the theme
of her final issue. To that I have one thing to say;
"YAAWNNNN!!!!"
We don't have
enough publications regarding celebrity? Seems like 98% of all periodicals
at the local Border's are about "celebrity". . .
I can only hope
she does something interesting with it. Otherwise: Good Riddance. Please,
get on with your life. Oh, and thanks for Killzinester's. Anybody remotely
interested in doing a zine owes it to themselves to checkout this valuable
resource (if it's still up) at www.killzinesters.com
- it's killer. Everyone else it has truly been my pleasure to know
&, from time to time, work with.
Whatever.
_
@
_*It is sad to note
that Gutenberg himself lost his precious invention to his financier
who eagerly foreclosed on the inventor's debt by repossessing the machine.
It is said that all Gutenberg wanted to do was print the Bible for mass
consumption (not ignoble a motivation for a time like the 1400's, when
such information was the exclusive dominion of the self-same Church
which was taking nascient "heretics" to task all over Europe).
_
Though not in his lifetime, JG's "Good Book" did
eventually see the light of day. And, ultimately, it became the instrument
by which many a Renaissance (wo-)man learned to READ. But, it was his investor
who realized the potential mass-produced printing had as a powerful tool
for manipulating the masses, and Print Advertising was born.
_
On the cusp of the Reformation, the politics of public
opinion was not to be lost on power-hungry Protestant leaders who capitalized
on the press not only to document their religious doctrines, but also todeseminate
their political agenda to the people. I read somewhere that much
of what's been accepted as fact about the atrocities of the Spanish Inquisition
comes from Protestant propaganda of the era. Of course, if we are
to believe what was written, few would have lived to tell about it. . .